I need to find a job where I get paid to take classes. That’s all I want to do – learn stuff. Seriously.
Here are a few highlights (there are many more):
During Session 2 (June 11 – 23), Jessica Spring is teaching Daredevil Ephemera:
For printers and book artists, ephemera offers a sweet spot between mass-produced greeting cards and limited-edition books where form and content work together to elevate both. Inspired by vintage ephemera, we’ll master several folded bindings while also looking at structures designed in response to content. Folded structures offer an ideal surface for daredevil letterpress typesetting: exploring the use of traditional circular and angle quads, adapting existing tools, and experimenting with Daredevil Furniture (lasercut typesetting furniture designed at Springtide Press). Each student will complete a small edition of an artist’s book.
I’ve met Jessica on several occasions and she is wicked cool. And skilled. Taking a workshop with her would definitely be a fun experience.
During Session 4 (July 9 – 21), Matthew Shlian is teaching Paper Sculpture:
Students will explore the medium of paper as they create sculpture using paper engineering, kirigami, and paper craft as starting points. Using a combination of Tyvek and 100-lb text and 10-pt cover-weight stocks, students will learn the elements of paper mechanics and then apply them to books, collapsible structures, interactive kinetic design, and foldable sculpture. Techniques will include curve folding, pleating systems, and modular design. Students are encouraged to bring in their own imagery, photographs, technology, and other materials to work from.
I was lucky enough to handle some of Matthew’s work when he presented the keynote address at the Movable Book Society conference last year. It’s unlike anything I’ve ever experienced. Any knowledge he’d impart during a workshop would be well worth the price of admission.
During Summer Session 6 (August 13 – 25), Andrea Dezsö is teaching Pop-Up Artists’ Books:
Learn to make artists’ books that pop up, unfold, expand, and reveal; books that become theaters, platforms, movable structures, or interactive experiences. You’ll learn paper engineering to create movable books—first with simple structures and then with more complex ones. Then you’ll experiment with combining them in innovative ways and enhancing them with collage, drawing, or coloring. You’ll be encouraged to treat form and content as an interdependent whole as you create one-of-a-kind pop-up books.
At the same time I was in Boston for the Movable Book Society conference, I visited the Pucker Gallery to view their show Of Light and Shadow: New Work by Andrea Dezsö (exhibition catalog). Oh.my.goodness. Her tunnel books are insane. The way she cuts paper. Damn.
I’m not surprised that I seem to be drawn to the workshops focusing on pop-ups and movable books. That MBS conference did a number on me.
Penland’s summer registration is open now. Applications are processed on a first-come/first-served basis.