Book Arts Guide to Vermont Open Studio Weekend
Welcome to the Spring 2017 Book Arts Guide to Vermont Open Studio Weekend
It’s time for my biannual rundown of the book artists participating in Vermont Open Studio Weekend (May 27 & 28). Some of these talented folks are also members of the Book Arts Guild of Vermont (B.A.G.), an organization of which I am a member.
I created the Google map at the bottom of this post which includes all of the studios to help you plan your travels. I wish I could say that the book arts studios are close to each other, but they’re not. Boo.
I’ll be referring to studios by both name and number – the number refers to a listing in the green Vermont Studio Tour Guide. The colors of the studio numbers in this post match the colored markers in the Google map. By the way, I’m studio #57.
There are several ways to get your hands on a map:
- Pick one up at a Regional Information Center, such as the Artisans Hand Craft Gallery in Montpelier or the Northeast Kingdom Artisans Guild in St. Johnsbury.
- Get a copy at one of Vermont’s welcome/information centers.
- Print out a full copy (warning – this is a big, fat pdf).
- View detailed maps of studio locations by county on the Vermont Crafts Council website.
I tried to find the most direct route between the studios so you could avoid backtracking. This route starts at the northernmost studio and travels counterclockwise. Here we go!
The first studio is #30, Meta Strick – she is a Jackie of all trades. She does wonderful mixed media work, including dolls that have a book component. She has a great philosophy that you can make anything into a book – in fact, she recently presented at a B.A.G. meeting focusing on junk box books. It was sooo much fun.
Next stop is studio #2, Shelburne Pond Studios, where you’ll find Jill Abilock of Six Loons Studio. She creates one-of-a-kind work that is really inspirational. Her compelling storytelling and creative voice are enhanced by her innovative combinations of materials and structure. And the woman is a fantastic folder. In addition, she’s my partner in crime – we’re currently acting as the co-chairs of the Book Arts Guild Vermont.
#153 is Carolyn Shattuck, a seasoned printmaker and bookmaker. She often cuts up scrap monotypes and uses the pieces in her handmade books. For her, the book arts have been the focus of a body of work combining drawing and print assemblage techniques in three dimensional form. Many of her books include pop-up elements to set the scene for her deeply personal storytelling.
When you visit studio #58, Kelly McMahon of May Day Studio, you get double the awesome – she’s both a letterpress printer and a bookbinder. I’ve seen her space and let me tell you – I have serious studio envy. She carves many of her designs in linoleum for her beautiful gift wraps (which are totally frame-able). She was lucky enough to intern at the San Francisco Center for the Book and packs a one-two punch, also being a bookbinder. Kelly’s studio is about 1.6 miles from mine.
Last stop on the tour is #48 – Ken Leslie. Ken often creates books in a circular format – a practice that developed out of his dissatisfaction with rectangular painting shapes. His themes frequently focus on natural cycles, such as day/night and the seasons. The size of his work ranges from miniature to really ginormous – you can walk through some of his books when they’re open.
If you go to any of the studios, please share your experiences in the comments below. And if you have pictures, I’d love to see them…you can even do a guest post on my blog!