Vermont's 5th Fall Open Studio Weekend is just a week away (October 3 & 4)! If you're planning on visiting my studio (and why wouldn't you?), you can visit other great artists within a 20-ish minute drive of here.Hopefully the foliage will cooperate and be tour-worthy!There are 7 studios/galleries participating in the Central Vermont area. Artists are offering exhibits and demonstrations of pottery, ironwork, painting, etching, and more.I'll be referring to studios by both name and number - the number refers to a listing in the red 2015 Vermont Studio Tour Guide. There are several ways to get your hands on a map:Pick up a copy at Artisans Hand Craft Gallery at the intersection of State and Main Streets in Montpelier (they're an official Regional
Next month is the 5th annual Fall Vermont Open Studio Weekend.Open Studio Weekend takes place on the first weekend in October - Saturday October 3rd and Sunday October 4th, 10:00 a.m. - 5:00 p.m. I'll be talking more about the event and my preparations in the coming weeks.This year's Open Studio Tour Guide is available for request on the Vermont Crafts Council's website or you can download a PDF version. I'm site #89 on the map.If you look at the back cover of the guide (bottom right-hand corner), you'll see an image of my leather journals, all pretty in a pile. I love piles.I am so thrilled and honored to have my work pictured in the guide! I hope that this will bring more visitors
The Paper and Book Intensive recently announced their instructors for 2016. Workshop descriptions won't be available until later in the year, but that won't stop me from drooling over what I know now.Here's the list of instructors:Session 1: Frank BrannonJulie ChenGeorgia DealJames Reid-CunninghamJoyce TetaSession II: Anne HillamCraig JensenAimee LeeGaylord SchanilecSarah SmithThe Paper and Book Intensive will take place from May 15 - 26, 2016 at Ox-Bow in Saugatuck, Michigan.
As you've probably noticed, I haven't written any blog posts over the last month. Things have been tough lately. I'm a private person and try not to make a habit of talking about my personal problems on my blog, but I'm going to make an exception in this case. 2 1/2 weeks ago, my dad passed away. It's a big loss and I'm pretty heartbroken. I've been lucky in that my dad was always supportive of my creative work. In fact, I've often joked that I was destined to become an artist because my dad's name was Art. I'm thankful that I had him in my life as long as I did. He was a good man.
Today was the third day of Karen's workshop and we were busy! We started out by drilling holes in our boards - these would be used later for lacing on our text blocks. Next, we frayed out the ends of the cords on our text blocks to remove lumps. We used a 1/4" chisel to carve channels in the front and back of our cover boards - the cords on our text blocks will rest in these after lacing in. I find something very relaxing about chiseling. We rubbed paste into the cords and twisted the tips into points to help us lace them into the boards. After the lacing was completed, we cut little leather triangles and crammed them into the holes with the ends of our cords. This
I realized that I forgot to show you a picture of Karen's awesome resource booklet for the girdle book workshop. It's actually rather insane - check this out: We started the day off by sewing primary endbands on our textblocks. We stiffened up the core cord with PVA to make it easier to work with. It took a few stitches for me to get the hang of the sewing process, but I really enjoyed it. I could do more of these! Don't be fooled by the images - this was not a quick process. It took 2+ hours to complete. The next step was to add a second spine lining. We used more of the suede that we used yesterday for the first spine lining. This time, we
I just finished my first day of Karen Hanmer's workshop, Medieval on the Go: The Girdle Book. This is the third workshop I've taken with Karen at the Focus on Book Arts conference (not all this time around). I guess I like her! The girdle book is a bit of an odd duck of a book that makes a lot of sense - the structure has a leather extension off the bottom of it (like a tail) that allows the owner to attach it to his or her belt. Karen told us that there are only 23 known examples of girdle books in existence and those date from 1400 to 1550. Although the book we're working on is a medieval structure, we're also using some modern techniques